Remnants of the Tripode

16mm film, black and white, silent, 2’24
digital sound made by Suliane Hamon

I accompanied the building destruction in the image with the game of deconstruction/construction of the film editing. Accelerating the rythmics, disrupting gradually the probable order of shot succession.

I used for this movie, 6 found negative photographies of a building demolition wich took place in Nantes in 2005. With thoses photographies I experimented the flat bench printing, frame by frame.